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Sovereign Eld Crimson

#8b2a16
Notes

Sovereign Eld Crimson (#8B2A16) is a deep red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (10°, 73%, 32%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#8b2a16
RGB
rgb(139, 42, 22)
HSL
hsl(10, 73%, 32%)
HWB
hwb(10 9% 45%)
OKLCH
oklch(43.1% 0.135 33.4)
P3
color(display-p3 0.5026 0.1930 0.1199)
HSV
hsv(10, 84%, 55%)
LAB
lab(32.27% 40.12 34.88)
LCH
lch(32.27% 53.16 41.01)
CMYK
cmyk(0%, 70%, 84%, 45%)

Etymology

Sovereign
adjective

Old French soverain, supreme — derived from Latin super (above). As a color modifier, sovereign implies a saturated-and-royal-supremacy quality where the hue carries imperial-ruling-class register. Sits at the bold-and-imperial end of the grid, parallel to regal and imperial in tone.

Eld
modifier

Old English eld, old-age / ancient-time. As a color modifier, eld implies an ancient-and-time-deep quality, the visual register of Bronze-Age-and-prehistoric multi-millennia archaeological-period eld-and-time-deep ancient-and-pre-historical surfaces under multi-millennia eld-and-time-deep light. Sits at the modifier-and-time end of the grid, parallel to yore and age in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#8b2a16
Original
#463e13
Protanopia
#5e5411
Deuteranopia
#9a0826
Tritanopia
#3d3d3d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
8.60:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.44:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##8B2A16
Display P3
Display P3
color(display-p3 0.5026 0.1930 0.1199)
P3 has subtle headroomOKLCH chroma 0.135

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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