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Imperial Keep Ruby

#8a1c20
Notes

Imperial Keep Ruby (#8A1C20) is a deep red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (358°, 66%, 33%) places it in the balanced band at a dark lightness. It works well as a headline, icon, or deep background in an otherwise light layout, pairing cleanly with cream, bone, and warm neutrals. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#8a1c20
RGB
rgb(138, 28, 32)
HSL
hsl(358, 66%, 33%)
HWB
hwb(358 11% 46%)
OKLCH
oklch(41.6% 0.145 24.6)
P3
color(display-p3 0.4968 0.1502 0.1443)
HSV
hsv(358, 80%, 54%)
LAB
lab(30.25% 45.46 26.96)
LCH
lch(30.25% 52.85 30.67)
CMYK
cmyk(0%, 80%, 77%, 46%)

Etymology

Imperial
adjective

From the Latin imperialis, of the empire — applied to color since the medieval period for the hues reserved for sovereigns and empires: imperial purple of Tyrian dye, imperial yellow of Ming-dynasty porcelain. As a modifier, imperial implies saturation combined with the institutional weight of a color owned by a court. Sits in the bold-and-deep corner, alongside royal.

Keep
modifier

Old Norse keypa, to-keep. As a color modifier, keep implies a fortified-castle-keep-and-strongtower quality, the visual register of Norman-and-Welsh-castle-keep hand-built fortified-castle-keep-and-stronghold-tower medieval-and-Norman-castle architectural surfaces under medieval-Norman-and-Welsh castle-keep-and-stronghold light. Sits at the modifier-and-architecture end of the grid, parallel to tower and crenel in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#8a1c20
Original
#3e381f
Protanopia
#59501c
Deuteranopia
#98001f
Tritanopia
#343434
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.26:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##8A1C20
Display P3
Display P3
color(display-p3 0.4968 0.1502 0.1443)
P3 has subtle headroomOKLCH chroma 0.145

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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