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Hemmed Topazio

#895212
Notes

Hemmed Topazio (#895212) is a deep orange with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (32°, 77%, 30%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#895212
RGB
rgb(137, 82, 18)
HSL
hsl(32, 77%, 30%)
HWB
hwb(32 7% 46%)
OKLCH
oklch(49.2% 0.104 63.6)
P3
color(display-p3 0.5072 0.3316 0.1328)
HSV
hsv(32, 87%, 54%)
LAB
lab(40.24% 18.09 43.64)
LCH
lch(40.24% 47.24 67.49)
CMYK
cmyk(0%, 40%, 87%, 46%)

Etymology

Hemmed
adjective

Old English hem, border — past-participle of hem. As a color modifier, hemmed implies a clear-and-finished-and-bordered quality where the hue carries the visual register of carefully-hemmed-and-finished textile-edge. Sits at the crisp-and-finished end of the grid, parallel to trim and finished in usage.

Topazio
noun

The Italian word for topaz — used in Renaissance jewelry vocabulary and Italian fashion writing for the warm gold-yellow of imperial topaz. The color refers to a faceted Italian-cut topazio: a saturated, slightly cool deep gold-yellow with the gem's signature internal warmth. The Italian cousin of topaz.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#895212
Original
#635704
Protanopia
#706413
Deuteranopia
#964546
Tritanopia
#595959
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.40:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.28:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##895212
Display P3
Display P3
color(display-p3 0.5072 0.3316 0.1328)
P3 has subtle headroomOKLCH chroma 0.104

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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