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Sonorous Sirocco Violet

#747bda
Notes

Sonorous Sirocco Violet (#747BDA) is a true blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (236°, 58%, 65%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#747bda
RGB
rgb(116, 123, 218)
HSL
hsl(236, 58%, 65%)
HWB
hwb(236 45% 15%)
OKLCH
oklch(62.1% 0.142 278.2)
P3
color(display-p3 0.4599 0.4815 0.8299)
HSV
hsv(236, 47%, 85%)
LAB
lab(55.01% 22.35 -49.63)
LCH
lch(55.01% 54.43 294.24)
CMYK
cmyk(47%, 44%, 0%, 15%)

Etymology

Sonorous
adjective

Latin sonōrus, resounding — derived from sonus (sound). As a color modifier, sonorous implies a saturated-and-richly-vibrating quality where the hue carries the deep-resonance visual register of a cathedral-organ-pipe low-note. Sits at the bold-and-resonant end of the grid, parallel to resonant and deep in usage.

Sirocco
modifier

Arabic sharq, eastern-or-Saharan-wind. As a color modifier, sirocco implies a hot-Saharan-and-Mediterranean-wind quality, the visual register of Saharan-and-Sicilian-and-Maltese-sirocco hand-hot-Saharan-and-Mediterranean-wind Saharan-and-Sicilian-and-Maltese-sirocco-and-North-African sirocco-and-hot-Saharan-and-Mediterranean-wind surfaces under Saharan-and-Sicilian-and-Maltese-sirocco-and-North-African Sahara-and-Sicily-and-Malta-and-Tunis hot-North-African-wind-light. Sits at the modifier-and-weather end of the grid, parallel to mistral and zephyr in usage.

Violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#747bda
Original
#5588de
Protanopia
#4d80d8
Deuteranopia
#4f8fa0
Tritanopia
#808080
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.76:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.59:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##747BDA
Display P3
Display P3
color(display-p3 0.4599 0.4815 0.8299)
P3 has subtle headroomOKLCH chroma 0.142

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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