True Orion Verdigris

Old English trēowe, faithful — used as a color modifier since the seventeenth century for hues that read as the canonical version of their family. True red, true blue: the saturation is full, the hue is neither shifted nor adulterated. Sits at the center of the bold and crisp buckets, marking the unequivocal middle of any chromatic family.

Greek Ὠρίων, hunter-of-the-myth. As a color modifier, orion implies a winter-hunter-and-belt-and-shoulder quality, the visual register of winter-Orion-and-Belt-of-Orion hand-winter-hunter-and-belt-and-shoulder winter-Orion-and-Belt-of-Orion-and-Bortle-1-sky orion-and-winter-hunter-and-belt-and-shoulder surfaces under winter-Orion-and-Belt-of-Orion-and-Bortle-1-sky January-and-February-winter-zenith winter-constellation-light. Sits at the modifier-and-cosmic end of the grid, parallel to rigel and cygnus in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.