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Becomingly Vapor

#4d4d54
Notes

Becomingly Vapor (#4D4D54) is a deep neutral with a mono character. It's a grayscale value, at home in typography, dividers, and the structural layer beneath stronger colors. Its HSL profile (240°, 4%, 32%) places it in the muted band at a dark lightness. It works as a background, hairline border, or text color in dark UI. Swap to true black when you need maximum contrast. Pair it with almost any saturated accent. It's built to sit underneath or behind stronger colors without fighting them.

HEX
#4d4d54
RGB
rgb(77, 77, 84)
HSL
hsl(240, 4%, 32%)
HWB
hwb(240 30% 67%)
OKLCH
oklch(42.3% 0.011 285.9)
P3
color(display-p3 0.3020 0.3020 0.3271)
HSV
hsv(240, 8%, 33%)
LAB
lab(32.97% 1.58 -4.12)
LCH
lch(32.97% 4.41 290.95)
CMYK
cmyk(8%, 8%, 0%, 67%)

Etymology

Becomingly
adjective

Old English be-cuman, to come about — adverbial-and-adjectival suffix -ly. As a color modifier, becomingly implies a neutral-and-flattering-and-suitable quality where the hue carries the visual register of well-suited-and-flattering coordinated color-decision. Sits at the neutral-and-traditional end of the grid, parallel to suitably and flatteringly in usage.

Vapor
noun

Latin vapor, steam — the cool-pale-gray water-vapor condensate of Industrial-Revolution coal-fired locomotive-and-steamship plumes, particularly the Sherlock-Holmes-period London-Liverpool railway steam-vapor. Vapor color refers to a London-and-North-Western-Railway 1880s steam-locomotive plume on a King's-Cross station-platform: a balanced cool gray with the optical complexity of water-vapor-and-coal-soot-suspended-aerosol against an October-overcast railway-station glass-and-iron-trussed roof.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

This color has effectively no chroma (OKLCH C = 0.011) — it’s on the grayscale axis. Hue rotations don’t change a grayscale color, so complementary, analogous, triadic, and split-complementary all reduce to the same value. They aren’t shown because four identical tiles would be misleading.

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#4d4d54
Original
#4b4e54
Protanopia
#4b4d54
Deuteranopia
#4c4e4f
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
8.38:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.51:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##4D4D54
Display P3
Display P3
color(display-p3 0.3020 0.3020 0.3271)
Inside sRGBOKLCH chroma 0.011

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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