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Drafted Helm Verdigris

#2a9a67
Notes

Drafted Helm Verdigris (#2A9A67) is a true teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (153°, 57%, 38%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#2a9a67
RGB
rgb(42, 154, 103)
HSL
hsl(153, 57%, 38%)
HWB
hwb(153 16% 40%)
OKLCH
oklch(61.1% 0.126 158.8)
P3
color(display-p3 0.3063 0.5954 0.4200)
HSV
hsv(153, 73%, 60%)
LAB
lab(56.66% -43.27 18.04)
LCH
lch(56.66% 46.88 157.36)
CMYK
cmyk(73%, 0%, 33%, 40%)

Etymology

Drafted
adjective

Old English draht, draft — past-participle of draft. As a color modifier, drafted implies a clear-and-line-and-measured quality, the crisp color of Mid-Century-Modern hand-drafted architectural-and-engineering studio-drawing precision-tool-rendered lines. Sits at the crisp-and-incised end of the grid, parallel to drawn and plotted in usage.

Helm
modifier

Old English helma, helm / steering. As a color modifier, helm implies a steering-wheel-and-tiller quality, the visual register of Royal-Navy-and-merchant-marine-helm hand-built steering-wheel-and-tiller polished-mahogany-and-brass nautical-helm-and-binnacle surfaces under polished-mahogany-and-brass-helm nautical-bridge light. Sits at the modifier-and-nautical end of the grid, parallel to tiller and bow in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#2a9a67
Original
#988e64
Protanopia
#8a846a
Deuteranopia
#00998d
Tritanopia
#7f7f7f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.55:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.92:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##2A9A67
Display P3
Display P3
color(display-p3 0.3063 0.5954 0.4200)
P3 has subtle headroomOKLCH chroma 0.126

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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