Plotted Bistre
Plotted Bistre (#B17610) is a true amber with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (38°, 83%, 38%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English plot, small piece of ground — past-participle of plot. As a color modifier, plotted implies a clear-and-coordinate-mapped quality, the crisp color of Cartesian-and-graph-paper coordinate-plotted scientific-and-engineering data-visualization plot-line. Sits at the crisp-and-mapped end of the grid, parallel to mapped and surveyed in usage.
A traditional French painter's pigment made from soot suspended in gum arabic — used for sepia-style washes in Old Master drawings. The color refers to a bistre wash on Rembrandt-period drawing paper: a soft, slightly muted warm brown with the translucent finish of soot-and-binder. Cooler than walnut, drier than caramel.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.