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Unblemished Loki Kingfisher

#229aaa
Notes

Unblemished Loki Kingfisher (#229AAA) is a true cyan with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (187°, 67%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#229aaa
RGB
rgb(34, 154, 170)
HSL
hsl(187, 67%, 40%)
HWB
hwb(187 13% 33%)
OKLCH
oklch(63.1% 0.101 208.7)
P3
color(display-p3 0.2945 0.5952 0.6574)
HSV
hsv(187, 80%, 67%)
LAB
lab(58.37% -25.82 -17.46)
LCH
lch(58.37% 31.17 214.07)
CMYK
cmyk(80%, 9%, 0%, 33%)

Etymology

Unblemished
adjective

Old French blesmir, to wound — negative-prefix un- plus past-participle of blemish. As a color modifier, unblemished implies a clear-and-flawless quality where the hue carries no defect or imperfection. Sits at the crisp-and-clean end of the grid, parallel to pristine and spotless in usage.

Loki
modifier

Old Norse Loki, trickster-god-and-shape-shifter. As a color modifier, loki implies a trickster-and-shape-shifter-and-sly quality, the visual register of Norse-Loki-and-Asgard-trickster hand-trickster-and-shape-shifter-and-sly Norse-Loki-and-Asgard-trickster-and-Ragnarok loki-and-trickster-and-shape-shifter-and-sly surfaces under Norse-Loki-and-Asgard-trickster-and-Ragnarok Yggdrasil-and-Aesir-pantheon shape-shifter-light. Sits at the modifier-and-myth end of the grid, parallel to thor and odin in usage.

Kingfisher
noun

The family Alcedinidae — particularly Alcedo atthis, the European common kingfisher whose iridescent turquoise-blue plumage gives the color its name. The color refers to a male European kingfisher's wing: a saturated, slightly cool deep blue-green with the iridescent satin finish of structurally colored feathers.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#229aaa
Original
#8c94ab
Protanopia
#7987aa
Deuteranopia
#00a29f
Tritanopia
#828282
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##229AAA
Display P3
Display P3
color(display-p3 0.2945 0.5952 0.6574)
P3 has subtle headroomOKLCH chroma 0.101

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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