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Jazzed Enji

#fd6fa5
Notes

Jazzed Enji (#FD6FA5) is a soft magenta with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (337°, 97%, 71%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#fd6fa5
RGB
rgb(253, 111, 165)
HSL
hsl(337, 97%, 71%)
HWB
hwb(337 44% 1%)
OKLCH
oklch(72.8% 0.180 358.8)
P3
color(display-p3 0.9242 0.4688 0.6429)
HSV
hsv(337, 56%, 99%)
LAB
lab(65.73% 59.23 -1.79)
LCH
lch(65.73% 59.26 358.27)
CMYK
cmyk(0%, 56%, 35%, 1%)

Etymology

Jazzed
adjective

American slang jazz, liveliness — past-participle of jazz. As a color modifier, jazzed implies a saturated-and-excited-and-active quality, the bright color of American-Jazz-Age poster-and-album-cover saturated-and-rhythmic graphic-design. Sits at the bright-and-active end of the grid, parallel to caffeinated and wired in usage.

Enji
noun

A dark crimson lake pigment in Japanese textile and lacquer tradition — derived from coccus scale insects and used in the deep underrobes of Heian court dress. The color refers to a enji-dyed silk: a deep, slightly cool dark red with the velvet matte finish of multi-bath dyeing. Deeper than akane, cooler than karakurenai. The hue Murasaki Shikibu would have worn beneath an outer robe.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#fd6fa5
Original
#868fa7
Protanopia
#acaaa2
Deuteranopia
#ff6484
Tritanopia
#919191
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.63:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.99:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##FD6FA5
Display P3
Display P3
color(display-p3 0.9242 0.4688 0.6429)
P3 has visible headroomOKLCH chroma 0.180

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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