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Glistening Suoh

#fd5984
Notes

Glistening Suoh (#FD5984) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (344°, 98%, 67%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#fd5984
RGB
rgb(253, 89, 132)
HSL
hsl(344, 98%, 67%)
HWB
hwb(344 35% 1%)
OKLCH
oklch(69.3% 0.201 8.1)
P3
color(display-p3 0.9190 0.3947 0.5211)
HSV
hsv(344, 65%, 99%)
LAB
lab(61.39% 65.26 10.94)
LCH
lch(61.39% 66.18 9.52)
CMYK
cmyk(0%, 65%, 48%, 1%)

Etymology

Glistening
adjective

Old English glisnian, to glisten — present-participle of glisten, sharing root with German glitzern. As a color modifier, glistening implies a saturated-and-wet-or-polished-reflective quality, the bright color of fresh-rain-and-polished-silver surface-reflection. Sits at the bright-and-reflective end of the grid, parallel to shimmering and gleaming in usage.

Suoh
noun

The Japanese name for sappanwoodCaesalpinia sappan — a Southeast Asian dye source whose heartwood yields a deep red traditionally used in the lining of formal kimono and the inks of Edo-period woodblock printing. The color refers to a fresh suoh-dyed silk: a deep, slightly cool red with the wood-derived warmth of brazilin pigment. Cooler than enji, deeper than akane.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#fd5984
Original
#7e7f85
Protanopia
#a9a080
Deuteranopia
#ff3f6a
Tritanopia
#7f7f7f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.03:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##FD5984
Display P3
Display P3
color(display-p3 0.9190 0.3947 0.5211)
P3 has visible headroomOKLCH chroma 0.201

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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