colors
Back to gallery

Charged Madder

#fd4821
Notes

Charged Madder (#FD4821) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (11°, 98%, 56%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#fd4821
RGB
rgb(253, 72, 33)
HSL
hsl(11, 98%, 56%)
HWB
hwb(11 13% 1%)
OKLCH
oklch(66.1% 0.223 33.4)
P3
color(display-p3 0.9160 0.3411 0.2070)
HSV
hsv(11, 87%, 99%)
LAB
lab(57.69% 66.53 59.92)
LCH
lch(57.69% 89.54 42.01)
CMYK
cmyk(0%, 72%, 87%, 1%)

Etymology

Charged
adjective

Old French chargier, to load — past-participle of charge, sharing root with cargo. As a color modifier, charged implies a saturated-and-electrically-loaded quality where the hue carries visual potential-energy. Sits at the bright-and-active end of the grid, parallel to electrified and energetic in usage.

Madder
noun

Rubia tinctorum, the dyer's madder — the root pigment that fed European red textile production from antiquity until synthetic alizarin replaced it in 1869. Less brilliant than kermes, more lightfast than safflower, madder-dyed wool was the workhorse red of Persian carpets, British redcoats, and Turkish kilim. The color carries that history: a warm, slightly orange red with the matte finish of cloth rather than glaze.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#fd4821
Original
#807118
Protanopia
#ac9912
Deuteranopia
#ff0042
Tritanopia
#6c6c6c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.43:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##FD4821
Display P3
Display P3
color(display-p3 0.9160 0.3411 0.2070)
P3 has visible headroomOKLCH chroma 0.223

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas