Glistening Kompot
Glistening Kompot (#FB7DC1) is a soft magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (328°, 94%, 74%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English glisnian, to glisten — present-participle of glisten, sharing root with German glitzern. As a color modifier, glistening implies a saturated-and-wet-or-polished-reflective quality, the bright color of fresh-rain-and-polished-silver surface-reflection. Sits at the bright-and-reflective end of the grid, parallel to shimmering and gleaming in usage.
Polish-Russian-Ukrainian kompot — a fruit-based clear-broth drink made from cooked stone-fruit, currants, raspberries, and sour cherries in a deep-magenta liquor. Kompot color refers to a freshly cooled bowl of Polish-Catholic-Lent kompot with floating stone-fruit halves: a saturated, slightly cool deep magenta with the matte finish of anthocyanin-rich mixed-fruit broth in a clear-glass jar.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.