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Throbbing Suoh

#fb385a
Notes

Throbbing Suoh (#FB385A) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (350°, 96%, 60%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#fb385a
RGB
rgb(251, 56, 90)
HSL
hsl(350, 96%, 60%)
HWB
hwb(350 22% 2%)
OKLCH
oklch(65.1% 0.227 17.3)
P3
color(display-p3 0.9066 0.2939 0.3694)
HSV
hsv(350, 78%, 98%)
LAB
lab(56.17% 72.90 28.40)
LCH
lch(56.17% 78.24 21.29)
CMYK
cmyk(0%, 78%, 64%, 2%)

Etymology

Throbbing
adjective

Imitative-onomatopoeic origin — present-participle of throb, with sound-and-action mimicry. As a color modifier, throbbing implies a saturated-and-pulsing-and-resonant quality, the bright color of bass-drop-and-rave-light low-frequency rhythm-pulse emission. Sits at the bright-and-active end of the grid, parallel to pulsating and strobing in usage.

Suoh
noun

The Japanese name for sappanwoodCaesalpinia sappan — a Southeast Asian dye source whose heartwood yields a deep red traditionally used in the lining of formal kimono and the inks of Edo-period woodblock printing. The color refers to a fresh suoh-dyed silk: a deep, slightly cool red with the wood-derived warmth of brazilin pigment. Cooler than enji, deeper than akane.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#fb385a
Original
#726d5a
Protanopia
#a39554
Deuteranopia
#ff0047
Tritanopia
#646464
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.61:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.82:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##FB385A
Display P3
Display P3
color(display-p3 0.9066 0.2939 0.3694)
P3 has visible headroomOKLCH chroma 0.227

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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