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Ostentatious Pīta

#fab935
Notes

Ostentatious Pīta (#FAB935) is a true amber with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (40°, 95%, 59%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#fab935
RGB
rgb(250, 185, 53)
HSL
hsl(40, 95%, 59%)
HWB
hwb(40 21% 2%)
OKLCH
oklch(82.5% 0.156 80.2)
P3
color(display-p3 0.9417 0.7359 0.3206)
HSV
hsv(40, 79%, 98%)
LAB
lab(79.20% 12.32 70.96)
LCH
lch(79.20% 72.02 80.15)
CMYK
cmyk(0%, 26%, 79%, 2%)

Etymology

Ostentatious
adjective

Latin ostentātiōnis, display — adjectival suffix -ous, derived from ostendere (to show). As a color modifier, ostentatious implies a saturated-and-attention-demanding-and-elaborate quality, the bright color of Belle-Époque-and-Gilded-Age showy-luxury-display interior-decoration. Sits at the bright-and-flamboyant end of the grid, parallel to flamboyant and showy in usage.

Pīta
noun

The Sanskrit word for yellow — used in Vedic texts for the yellow of saffron-dyed monks' robes, the gold of pītāmbara (yellow upper-garment of Krishna), and the saffron of Hindu tilak. The color refers to pīta-dyed silk in a temple offering: a saturated, slightly red-shifted yellow with the matte finish of plant-and-mordant dye.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#fab935
Original
#d3bb1a
Protanopia
#e2cb3b
Deuteranopia
#ffa6a0
Tritanopia
#bdbdbd
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.74:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.06:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##FAB935
Display P3
Display P3
color(display-p3 0.9417 0.7359 0.3206)
P3 has subtle headroomOKLCH chroma 0.156

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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