Trim Tigerlily
Trim Tigerlily (#FAB79A) is a soft orange with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (18°, 91%, 79%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English trymman, to make firm — sharing root with firm. As a color modifier, trim implies a clear-and-neatly-arranged quality where the hue carries the visual register of carefully-edited surface-detail. Sits at the crisp-and-neat end of the grid, parallel to neat and tidy in usage.
Lilium lancifolium, the East Asian lily named for the dark-spotted orange petals that suggested big-cat markings to Victorian gardeners. The color is the petal interior of a fully open tigerlily: a saturated, slightly red orange with the matte finish of bee-pollinated flower. Warmer than carrot, more chromatic than rust; the orange of a high-summer perennial bed.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.