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Radiant Madder

#fa5571
Notes

Radiant Madder (#FA5571) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (350°, 94%, 66%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#fa5571
RGB
rgb(250, 85, 113)
HSL
hsl(350, 94%, 66%)
HWB
hwb(350 33% 2%)
OKLCH
oklch(68.0% 0.200 14.3)
P3
color(display-p3 0.9075 0.3804 0.4532)
HSV
hsv(350, 66%, 98%)
LAB
lab(59.91% 64.40 19.85)
LCH
lch(59.91% 67.40 17.13)
CMYK
cmyk(0%, 66%, 55%, 2%)

Etymology

Radiant
adjective

From the Latin radiare, to emit rays — used as a color word since the seventeenth century for hues that read as luminous and emitting. Radiant gold, radiant pink: the implication is high luminance combined with the optical impression of an outward light. Sits in the bright-bucket center alongside glowing.

Madder
noun

Rubia tinctorum, the dyer's madder — the root pigment that fed European red textile production from antiquity until synthetic alizarin replaced it in 1869. Less brilliant than kermes, more lightfast than safflower, madder-dyed wool was the workhorse red of Persian carpets, British redcoats, and Turkish kilim. The color carries that history: a warm, slightly orange red with the matte finish of cloth rather than glaze.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#fa5571
Original
#7e7b71
Protanopia
#a89d6d
Deuteranopia
#ff3460
Tritanopia
#7a7a7a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.18:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.60:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##FA5571
Display P3
Display P3
color(display-p3 0.9075 0.3804 0.4532)
P3 has visible headroomOKLCH chroma 0.200

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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