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Resounding Gust Crimson

#fa210f
Notes

Resounding Gust Crimson (#FA210F) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (5°, 96%, 52%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#fa210f
RGB
rgb(250, 33, 15)
HSL
hsl(5, 96%, 52%)
HWB
hwb(5 6% 2%)
OKLCH
oklch(62.8% 0.245 29.9)
P3
color(display-p3 0.9008 0.2386 0.1592)
HSV
hsv(5, 94%, 98%)
LAB
lab(53.44% 75.56 63.01)
LCH
lch(53.44% 98.39 39.82)
CMYK
cmyk(0%, 87%, 94%, 2%)

Etymology

Resounding
adjective

Latin resonāre, to echo back — present-participle of resound. As a color modifier, resounding implies a saturated-and-echoing-and-imposing quality where the hue reverberates visually like a cathedral-bell ring. Sits at the bold-and-resonant end of the grid, parallel to resonant and booming in usage.

Gust
modifier

Old Norse gustr, sudden-burst-of-wind. As a color modifier, gust implies a sudden-burst-and-cliff-top-and-driven quality, the visual register of Cornish-cliff-and-Hebridean-gust hand-sudden-burst-and-cliff-top-and-driven Cornish-cliff-and-Hebridean-gust-and-North-Atlantic-front gust-and-sudden-burst-and-cliff-top surfaces under Cornish-cliff-and-Hebridean-gust-and-North-Atlantic-front Lizard-Point-and-Outer-Hebrides-and-Faroe-passage cliff-top-wind-light. Sits at the modifier-and-weather end of the grid, parallel to zephyr and mistral in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#fa210f
Original
#706202
Protanopia
#a29000
Deuteranopia
#ff0023
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.97:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.29:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##FA210F
Display P3
Display P3
color(display-p3 0.9008 0.2386 0.1592)
P3 has visible headroomOKLCH chroma 0.245

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas