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Antiseptic Virtus Topaz

#f9cc86
Notes

Antiseptic Virtus Topaz (#F9CC86) is a soft amber with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (37°, 91%, 75%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f9cc86
RGB
rgb(249, 204, 134)
HSL
hsl(37, 91%, 75%)
HWB
hwb(37 53% 2%)
OKLCH
oklch(86.9% 0.101 77.9)
P3
color(display-p3 0.9483 0.8067 0.5629)
HSV
hsv(37, 46%, 98%)
LAB
lab(84.51% 7.21 40.76)
LCH
lch(84.51% 41.39 79.97)
CMYK
cmyk(0%, 18%, 46%, 2%)

Etymology

Antiseptic
adjective

Greek anti- (against) plus sēptikós (putrefying) — adjectival suffix -ic. As a color modifier, antiseptic implies a clear-and-disinfected-and-clinical quality, the crisp color of medical-laboratory and operating-theater hand-scrub-and-sanitizer surfaces. Sits at the crisp-and-clean end of the grid, parallel to sterile and sanitary in usage.

Virtus
modifier

Latin virtus, manliness-and-courage-and-virtue. As a color modifier, virtus implies a Roman-virtus-and-stoic-and-Cardinal-Virtues quality, the visual register of Roman-virtus-and-Stoic-Cardinal-Virtues hand-Roman-virtus-and-stoic-and-Cardinal-Virtues Roman-virtus-and-Stoic-Cardinal-Virtues-and-Marcus-Aurelius virtus-and-Roman-virtus surfaces under Roman-virtus-and-Stoic-Cardinal-Virtues-and-Marcus-Aurelius Republican-Rome-and-Marcus-Aurelius Stoic-virtue-light. Sits at the modifier-and-Latin end of the grid, parallel to senex and dux in usage.

Topaz
noun

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f9cc86
Original
#decc81
Protanopia
#e9d788
Deuteranopia
#ffbfbb
Tritanopia
#d1d1d1
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.50:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.01:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F9CC86
Display P3
Display P3
color(display-p3 0.9483 0.8067 0.5629)
P3 has subtle headroomOKLCH chroma 0.101

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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