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Invigorating Zhusha

#f95d87
Notes

Invigorating Zhusha (#F95D87) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (344°, 93%, 67%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f95d87
RGB
rgb(249, 93, 135)
HSL
hsl(344, 93%, 67%)
HWB
hwb(344 36% 2%)
OKLCH
oklch(69.2% 0.192 7.2)
P3
color(display-p3 0.9056 0.4062 0.5318)
HSV
hsv(344, 63%, 98%)
LAB
lab(61.41% 62.70 9.14)
LCH
lch(61.41% 63.37 8.29)
CMYK
cmyk(0%, 63%, 46%, 2%)

Etymology

Invigorating
adjective

Latin vigor, vigor — present-participle of invigorate, sharing root with vigil (watchfulness). As a color modifier, invigorating implies a saturated-and-life-giving-and-energizing quality where the hue increases visual-and-physical vitality. Sits at the bright-and-active end of the grid, parallel to stimulating and bracing in usage.

Zhusha
noun

The Chinese name for cinnabar — mercury sulfide — ground into the imperial-seal pigment used in Chinese painting, lacquerware, and the carved cinnabar-lacquer ornaments of the Ming dynasty. The color refers to a freshly stamped zhusha seal on rice paper: a saturated, slightly orange red with the matte finish of fine mineral pigment. Cooler than vermillion, brighter than crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f95d87
Original
#7e8188
Protanopia
#a7a083
Deuteranopia
#ff476d
Tritanopia
#818181
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.02:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F95D87
Display P3
Display P3
color(display-p3 0.9056 0.4062 0.5318)
P3 has visible headroomOKLCH chroma 0.192

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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