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Gleaming Madder

#f85d89
Notes

Gleaming Madder (#F85D89) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (343°, 92%, 67%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f85d89
RGB
rgb(248, 93, 137)
HSL
hsl(343, 92%, 67%)
HWB
hwb(343 36% 3%)
OKLCH
oklch(69.1% 0.192 6.2)
P3
color(display-p3 0.9020 0.4058 0.5388)
HSV
hsv(343, 63%, 97%)
LAB
lab(61.30% 62.58 7.80)
LCH
lch(61.30% 63.07 7.11)
CMYK
cmyk(0%, 63%, 45%, 3%)

Etymology

Gleaming
adjective

The progressive participle of gleam, to shine intermittently. Used as a color word for hues with the slight optical motion of a polished or wet surface. Gleaming gold, gleaming red: the implication is luminance combined with the optical impression of specular highlight. Sits in the bright-and-glossy corner alongside lustrous.

Madder
noun

Rubia tinctorum, the dyer's madder — the root pigment that fed European red textile production from antiquity until synthetic alizarin replaced it in 1869. Less brilliant than kermes, more lightfast than safflower, madder-dyed wool was the workhorse red of Persian carpets, British redcoats, and Turkish kilim. The color carries that history: a warm, slightly orange red with the matte finish of cloth rather than glaze.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f85d89
Original
#7e818a
Protanopia
#a69f85
Deuteranopia
#ff486e
Tritanopia
#818181
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.04:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.92:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F85D89
Display P3
Display P3
color(display-p3 0.9020 0.4058 0.5388)
P3 has visible headroomOKLCH chroma 0.192

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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