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Inflamed Rouge

#f54d37
Notes

Inflamed Rouge (#F54D37) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (7°, 90%, 59%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f54d37
RGB
rgb(245, 77, 55)
HSL
hsl(7, 90%, 59%)
HWB
hwb(7 22% 4%)
OKLCH
oklch(65.4% 0.208 30.7)
P3
color(display-p3 0.8881 0.3526 0.2619)
HSV
hsv(7, 78%, 96%)
LAB
lab(57.08% 62.81 48.72)
LCH
lch(57.08% 79.49 37.80)
CMYK
cmyk(0%, 69%, 78%, 4%)

Etymology

Inflamed
adjective

Latin inflammātus, set on fire — past-participle of inflame. As a color modifier, inflamed implies a saturated-and-irritated-hot quality, the bright color of sun-burnt-skin and autumn-leaf high-anthocyanin pigmentation. Sits at the bright-and-warm end of the grid, parallel to fiery and flaming in usage.

Rouge
noun

French for red, but in English borrowed specifically as the cosmetic — the powdered or creamed cheek color of eighteenth-century European court fashion, originally derived from carmine. The color sits between rose and coral, warm enough to suggest blood under skin, cool enough to read as paint rather than blush. The Communist rouge of revolutionary France carries the same word but a different etymology of the pigment.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f54d37
Original
#7e7133
Protanopia
#a89730
Deuteranopia
#ff0a49
Tritanopia
#6f6f6f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.50:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.00:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F54D37
Display P3
Display P3
color(display-p3 0.8881 0.3526 0.2619)
P3 has visible headroomOKLCH chroma 0.208

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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