colors
Back to gallery

Electric Sangria

#f5438d
Notes

Electric Sangria (#F5438D) is a true magenta with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (335°, 90%, 61%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f5438d
RGB
rgb(245, 67, 141)
HSL
hsl(335, 90%, 61%)
HWB
hwb(335 26% 4%)
OKLCH
oklch(66.2% 0.220 0.1)
P3
color(display-p3 0.8865 0.3219 0.5490)
HSV
hsv(335, 73%, 96%)
LAB
lab(57.42% 71.71 -0.21)
LCH
lch(57.42% 71.71 359.83)
CMYK
cmyk(0%, 73%, 42%, 4%)

Etymology

Electric
adjective

From the Greek elektron, amber — the substance whose static-electric properties were observed by Thales of Miletus. Used as a color modifier since the late nineteenth century after electric light made certain saturated colors feel attention-demanding. Electric blue, electric pink: the implication is hot luminance combined with optical impact. Sits at the bright-bucket extreme.

Sangria
noun

Spanish for bleeding — the wine punch named for its color, not the other way around. The color is the deep red of Tempranillo or Garnacha aerated with citrus and fruit: a warm, slightly translucent red-violet that catches light through a glass jug. Less black than burgundy, warmer than wine, with the dusty rim of a long afternoon.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f5438d
Original
#6a748f
Protanopia
#9a9689
Deuteranopia
#ff2763
Tritanopia
#6e6e6e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.07:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F5438D
Display P3
Display P3
color(display-p3 0.8865 0.3219 0.5490)
P3 has visible headroomOKLCH chroma 0.220

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas