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Incandescent Kusumbha

#f49bdd
Notes

Incandescent Kusumbha (#F49BDD) is a soft magenta with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (316°, 80%, 78%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f49bdd
RGB
rgb(244, 155, 221)
HSL
hsl(316, 80%, 78%)
HWB
hwb(316 61% 4%)
OKLCH
oklch(79.9% 0.134 336.9)
P3
color(display-p3 0.9075 0.6237 0.8530)
HSV
hsv(316, 36%, 96%)
LAB
lab(74.76% 42.61 -19.65)
LCH
lch(74.76% 46.92 335.24)
CMYK
cmyk(0%, 36%, 9%, 4%)

Etymology

Incandescent
adjective

Latin incandēscēns, growing-hot — present-participle of incandēscere, sharing root with candere (to shine). As a color modifier, incandescent implies a saturated-and-glowing-hot quality, the bright color of tungsten-filament-glow incandescent-lamp light. Sits at the bright-and-warm end of the grid, parallel to glowing and blazing in usage.

Kusumbha
noun

Sanskrit कुसुम्भ, safflower (Carthamus tinctorius) — the floral source of the deep red-pink dye used in Vedic-period Indian textiles and as the kumkuma powder of Hindu and Buddhist ritual. Kusumbha color refers to a freshly pressed Carthamus tinctorius petal-extract on Indian cotton: a saturated, slightly cool deep magenta with the matte finish of safflower-pigment-dyed hand-spun cotton.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f49bdd
Original
#9cb0df
Protanopia
#b3bdda
Deuteranopia
#fd9eb3
Tritanopia
#b3b3b3
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.99:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
10.58:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F49BDD
Display P3
Display P3
color(display-p3 0.9075 0.6237 0.8530)
P3 has subtle headroomOKLCH chroma 0.134

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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