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Smoldering Rune Rose

#f44934
Notes

Smoldering Rune Rose (#F44934) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (7°, 90%, 58%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f44934
RGB
rgb(244, 73, 52)
HSL
hsl(7, 90%, 58%)
HWB
hwb(7 20% 4%)
OKLCH
oklch(64.8% 0.211 30.5)
P3
color(display-p3 0.8839 0.3397 0.2517)
HSV
hsv(7, 79%, 96%)
LAB
lab(56.34% 63.87 49.44)
LCH
lch(56.34% 80.77 37.74)
CMYK
cmyk(0%, 70%, 79%, 4%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Rune
modifier

Old Norse rún, secret-or-runic-letter. As a color modifier, rune implies a Norse-runic-letter-and-Futhark-and-incised-stone quality, the visual register of Elder-Futhark-and-Norse-runic-stone hand-Norse-runic-letter-and-Futhark-and-incised-stone Elder-Futhark-and-Norse-runic-stone-and-Viking-grave-marker rune-and-Norse-runic-letter-and-Futhark surfaces under Elder-Futhark-and-Norse-runic-stone-and-Viking-grave-marker Jelling-stone-and-Rök-runestone runic-incision-light. Sits at the modifier-and-myth end of the grid, parallel to omen and sigil in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f44934
Original
#7c6f30
Protanopia
#a6952c
Deuteranopia
#ff0046
Tritanopia
#6c6c6c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.59:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.85:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F44934
Display P3
Display P3
color(display-p3 0.8839 0.3397 0.2517)
P3 has visible headroomOKLCH chroma 0.211

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas