Symmetrical Morganite
Symmetrical Morganite (#F3B1E2) is a soft magenta with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (315°, 73%, 82%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek symmetría, due-proportion — adjectival suffix -al, derived from sym-metron (with-measure). As a color modifier, symmetrical implies a clear-and-balanced-and-mirrored quality where the hue carries the visual register of bilateral-or-radial proportional symmetry. Sits at the crisp-and-balanced end of the grid, parallel to balanced and aligned in usage.
Pink variety of the cyclosilicate beryl — first described from the San Piero in Campo deposits of Elba in 1911 and named for the financier J.P. Morgan. The color comes from manganese-and-cesium substitution. Morganite color refers to a faceted San Piero morganite gemstone: a saturated, slightly cool deep magenta with the glassy finish of cesium-and-manganese-substituted beryl. Cooler and pinker than aquamarine.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.