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Replete Spark Rose

#f31883
Notes

Replete Spark Rose (#F31883) is a true magenta with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (331°, 90%, 52%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f31883
RGB
rgb(243, 24, 131)
HSL
hsl(331, 90%, 52%)
HWB
hwb(331 9% 5%)
OKLCH
oklch(63.0% 0.247 0.0)
P3
color(display-p3 0.8750 0.2168 0.5092)
HSV
hsv(331, 90%, 95%)
LAB
lab(53.33% 80.13 -0.28)
LCH
lch(53.33% 80.13 359.80)
CMYK
cmyk(0%, 90%, 46%, 5%)

Etymology

Replete
adjective

Latin replētus, filled — past-participle of replēre. As a color modifier, replete implies a saturated-and-fully-pigmented quality where the hue is completely loaded with its source pigment. Sits at the bold-and-saturated end of the grid, parallel to brimming and suffused in usage.

Spark
modifier

Old English spearca, small-ember. As a color modifier, spark implies a small-bright-and-flying-ember quality, the visual register of blacksmith-anvil-and-bonfire-spark hand-small-bright-and-flying-ember blacksmith-anvil-and-bonfire-and-flint-strike sparked-and-small-bright-and-flying surfaces under blacksmith-anvil-and-bonfire-and-flint-strike orange-glow-and-iron-and-flint forge-and-hearth-light. Sits at the modifier-and-mood end of the grid, parallel to flash and flare in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f31883
Original
#596685
Protanopia
#928d7e
Deuteranopia
#ff0050
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.99:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F31883
Display P3
Display P3
color(display-p3 0.8750 0.2168 0.5092)
P3 has visible headroomOKLCH chroma 0.247

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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