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Lustrous Sand

#f2d235
Notes

Lustrous Sand (#F2D235) is a true amber with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (50°, 88%, 58%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f2d235
RGB
rgb(242, 210, 53)
HSL
hsl(50, 88%, 58%)
HWB
hwb(50 21% 5%)
OKLCH
oklch(86.6% 0.165 96.8)
P3
color(display-p3 0.9284 0.8281 0.3393)
HSV
hsv(50, 78%, 95%)
LAB
lab(84.60% -3.98 75.53)
LCH
lch(84.60% 75.63 93.01)
CMYK
cmyk(0%, 13%, 78%, 5%)

Etymology

Lustrous
adjective

From the Latin lustrare, to illuminate — used as a color word since the seventeenth century for hues with the slight specular shine of polished metal or silk. Lustrous green, lustrous gold: the implication is moderate-to-high saturation combined with surface reflectivity. Sits at the bright-and-glossy corner alongside gleaming.

Sand
noun

Quartz weathered to grain — the residue of geologic time at the granular scale. Beach sand color depends entirely on the source: white from Caribbean coral, black from Hawaiian basalt, red from Australian iron oxide. The reference shade is the warm, slightly golden tan of a temperate Atlantic beach: medium-saturation, matte, with the optical brightness of small mineral particles in sunlight.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f2d235
Original
#e8cd0a
Protanopia
#f0d840
Deuteranopia
#ffc1b5
Tritanopia
#cdcdcd
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.50:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.05:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F2D235
Display P3
Display P3
color(display-p3 0.9284 0.8281 0.3393)
P3 has subtle headroomOKLCH chroma 0.165

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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