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Wellbred Knell Rose

#f22f83
Notes

Wellbred Knell Rose (#F22F83) is a true magenta with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (334°, 88%, 57%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f22f83
RGB
rgb(242, 47, 131)
HSL
hsl(334, 88%, 57%)
HWB
hwb(334 18% 5%)
OKLCH
oklch(63.9% 0.233 1.2)
P3
color(display-p3 0.8732 0.2647 0.5105)
HSV
hsv(334, 81%, 95%)
LAB
lab(54.61% 75.68 1.56)
LCH
lch(54.61% 75.69 1.18)
CMYK
cmyk(0%, 81%, 46%, 5%)

Etymology

Wellbred
adjective

Old English wel-brēd, well-bred — past-participle of breed, sharing root with brood (offspring). As a color modifier, wellbred implies a saturated-and-elegant-and-formal quality, the deep-rich color of Edwardian-period finishing-school-and-debutante-Court English-aristocratic livery. Sits at the bold-and-elegant end of the grid, parallel to highborn and patrician.

Knell
modifier

Old English cnyll, funeral-bell. As a color modifier, knell implies a funeral-and-passing-bell quality, the visual register of English-funeral-and-passing-bell slow-and-tolling-funeral mourning-bell-and-bell-tower-tolling slow-and-mourning surfaces under slow-tolling-funeral-bell mourning candlelight. Sits at the modifier-and-time end of the grid, parallel to bell and vesper in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f22f83
Original
#616b85
Protanopia
#95907f
Deuteranopia
#ff0056
Tritanopia
#5f5f5f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.81:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.51:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F22F83
Display P3
Display P3
color(display-p3 0.8732 0.2647 0.5105)
P3 has visible headroomOKLCH chroma 0.233

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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