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Manic Méihóng

#f168c3
Notes

Manic Méihóng (#F168C3) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (320°, 83%, 68%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f168c3
RGB
rgb(241, 104, 195)
HSL
hsl(320, 83%, 68%)
HWB
hwb(320 41% 5%)
OKLCH
oklch(71.3% 0.195 342.6)
P3
color(display-p3 0.8798 0.4405 0.7496)
HSV
hsv(320, 57%, 95%)
LAB
lab(63.79% 62.58 -21.91)
LCH
lch(63.79% 66.30 340.70)
CMYK
cmyk(0%, 57%, 19%, 5%)

Etymology

Manic
adjective

Greek manikós, raving / mad — sharing root with mania. As a color modifier, manic implies a saturated-and-overstimulated-and-extreme quality, the bright color of Andy-Warhol-and-Pop-Art late-Pop-Art repeated-and-multiplied portrait color schemes. Sits at the bright-and-active end of the grid, parallel to hyper and frenetic in usage.

Méihóng
noun

Chinese 梅红, plum-red — the deep-pink cultivar color of Chinese flowering plum (Prunus mume), prized in Song-dynasty literati painting and ceramics. Méihóng color refers to a fully bloomed méihóng plum-blossom branch on a Song-dynasty meiping vase: a saturated, slightly cool deep magenta with the velvet finish of fresh plum-petal painted in mineral pigment over white-glazed porcelain.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f168c3
Original
#728cc6
Protanopia
#99a3c0
Deuteranopia
#ff698d
Tritanopia
#8c8c8c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.80:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
7.51:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F168C3
Display P3
Display P3
color(display-p3 0.8798 0.4405 0.7496)
P3 has visible headroomOKLCH chroma 0.195

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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