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Kindled Shu

#ee43ae
Notes

Kindled Shu (#EE43AE) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (322°, 83%, 60%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ee43ae
RGB
rgb(238, 67, 174)
HSL
hsl(322, 83%, 60%)
HWB
hwb(322 26% 7%)
OKLCH
oklch(66.2% 0.229 346.8)
P3
color(display-p3 0.8614 0.3183 0.6682)
HSV
hsv(322, 72%, 93%)
LAB
lab(57.32% 73.40 -19.80)
LCH
lch(57.32% 76.02 344.90)
CMYK
cmyk(0%, 72%, 27%, 7%)

Etymology

Kindled
adjective

Old Norse kynda, to set on fire — past-participle of kindle. As a color modifier, kindled implies a saturated-and-newly-lit quality, the bright color of autumn-bonfire-and-stove-fire initial-combustion emission. Sits at the bright-and-warm end of the grid, parallel to ignited and aflame in usage.

Shu
noun

Vermillion in Japanese — specifically the cinnabar-derived pigment used since the Heian period to paint Shinto torii gates, temple beams, and the lacquer of imperial seals. The color refers to a freshly painted Inari Shrine torii: a saturated, slightly orange red with the high gloss of layered urushi lacquer. Brighter than crimson, deeper than tangerine, with the sacred-architectural weight of a color reserved for thresholds between human and divine.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ee43ae
Original
#5a77b1
Protanopia
#8d94aa
Deuteranopia
#fe3e73
Tritanopia
#6f6f6f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.47:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.05:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##EE43AE
Display P3
Display P3
color(display-p3 0.8614 0.3183 0.6682)
P3 has visible headroomOKLCH chroma 0.229

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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