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Resolute Bermellón

#ee121c
Notes

Resolute Bermellón (#EE121C) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (357°, 87%, 50%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ee121c
RGB
rgb(238, 18, 28)
HSL
hsl(357, 87%, 50%)
HWB
hwb(357 7% 7%)
OKLCH
oklch(60.1% 0.239 27.5)
P3
color(display-p3 0.8566 0.2036 0.1742)
HSV
hsv(357, 92%, 93%)
LAB
lab(50.33% 74.80 55.14)
LCH
lch(50.33% 92.93 36.39)
CMYK
cmyk(0%, 92%, 88%, 7%)

Etymology

Resolute
adjective

From the Latin resolutus, unwavering — used as a color modifier in literary contexts for hues that read as committed and unmoving. Resolute blue, resolute green: the saturation is full, the hue holds its position without shifting under different light. Sits in the bold-bucket center alongside strong and true, with slightly more focus on stability than presence.

Bermellón
noun

Spanish for vermillion — the cinnabar-derived pigment used in the painted altarpieces of Castilian and Andalusian baroque. The color refers to a freshly mixed bermellón in a Sevillian polychrome workshop: a saturated, slightly orange red with the high gloss of pigment in oil. The Spanish equivalent of shu — different language, same mineral.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ee121c
Original
#665b17
Protanopia
#998705
Deuteranopia
#ff001c
Tritanopia
#414141
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.43:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.74:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##EE121C
Display P3
Display P3
color(display-p3 0.8566 0.2036 0.1742)
P3 has visible headroomOKLCH chroma 0.239

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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