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Spotlit Suo

#ed5bba
Notes

Spotlit Suo (#ED5BBA) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (321°, 80%, 64%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ed5bba
RGB
rgb(237, 91, 186)
HSL
hsl(321, 80%, 64%)
HWB
hwb(321 36% 7%)
OKLCH
oklch(68.9% 0.205 343.9)
P3
color(display-p3 0.8624 0.3948 0.7146)
HSV
hsv(321, 62%, 93%)
LAB
lab(60.81% 65.78 -21.39)
LCH
lch(60.81% 69.17 341.98)
CMYK
cmyk(0%, 62%, 22%, 7%)

Etymology

Spotlit
adjective

English compound spot + lit — past-participle of spotlight. As a color modifier, spotlit implies a saturated-and-narrow-beam-illuminated quality, the bright color of theatrical-stage-and-museum-display directed-spotlight focused-beam illumination. Sits at the bright-and-saturated end of the grid, parallel to sunlit and brilliant in usage.

Suo
noun

Japanese 蘇芳, sappan-wood dye (Caesalpinia sappan) — derived from a Southeast Asian tree's heartwood, imported to Japan since the Nara period (710–794) for dyeing court robes a deep red-purple. Suo color refers to a suo-dyed Heian-period silk kinu: a saturated, slightly cool deep magenta with the silk luster of multi-bath sappan-wood dye on tussah silk. Distinct from akane (madder) and beni (safflower).

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ed5bba
Original
#6883bd
Protanopia
#929cb6
Deuteranopia
#fb5b83
Tritanopia
#818181
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.09:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.81:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##ED5BBA
Display P3
Display P3
color(display-p3 0.8624 0.3948 0.7146)
P3 has visible headroomOKLCH chroma 0.205

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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