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Loud Momoiro

#ed42aa
Notes

Loud Momoiro (#ED42AA) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (324°, 83%, 59%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ed42aa
RGB
rgb(237, 66, 170)
HSL
hsl(324, 83%, 59%)
HWB
hwb(324 26% 7%)
OKLCH
oklch(65.8% 0.227 347.9)
P3
color(display-p3 0.8576 0.3148 0.6534)
HSV
hsv(324, 72%, 93%)
LAB
lab(56.89% 73.00 -18.15)
LCH
lch(56.89% 75.22 346.04)
CMYK
cmyk(0%, 72%, 28%, 7%)

Etymology

Loud
adjective

Old English hlūd, making noise — borrowed metaphorically as a color word since the nineteenth century. Loud red, loud yellow: a color so saturated it announces itself without needing surrounding context. Sits in the bright-bucket extreme alongside electric and striking. Carries a slightly pejorative implication of excess.

Momoiro
noun

Japanese 桃色, peach color — though traditionally referring to the warm pink of Prunus persica peach blossom, the modern color name momoiro extends to the deep-saturated magenta-pink of cultivated double-petaled peach varieties. Momoiro color refers to a fully bloomed Prunus persica var. plena double-flower: a saturated, slightly cool deep magenta with the velvet finish of densely overlapping ruffled peach-blossom petals.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ed42aa
Original
#5b76ad
Protanopia
#8d93a6
Deuteranopia
#fe3b71
Tritanopia
#6e6e6e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.52:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.96:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##ED42AA
Display P3
Display P3
color(display-p3 0.8576 0.3148 0.6534)
P3 has visible headroomOKLCH chroma 0.227

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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