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Gladiatorial Kohbai

#ed2ba6
Notes

Gladiatorial Kohbai (#ED2BA6) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (322°, 84%, 55%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ed2ba6
RGB
rgb(237, 43, 166)
HSL
hsl(322, 84%, 55%)
HWB
hwb(322 17% 7%)
OKLCH
oklch(64.1% 0.246 348.0)
P3
color(display-p3 0.8547 0.2515 0.6370)
HSV
hsv(322, 82%, 93%)
LAB
lab(54.54% 78.80 -19.39)
LCH
lch(54.54% 81.15 346.18)
CMYK
cmyk(0%, 82%, 30%, 7%)

Etymology

Gladiatorial
adjective

Latin gladiātōrius, of the gladiator — adjectival suffix, derived from gladius (short-sword). As a color modifier, gladiatorial implies a saturated-and-combative-and-bloody quality, the deep-rich color of Roman-Colosseum gladiator-arena bloody-tunic-and-shield combat-attire. Sits at the bold-and-formal end of the grid, parallel to spartan and valiant.

Kohbai
noun

Japanese 紅梅, red plum-blossom (Prunus mume var. kohbai) — the deep-pink-flowered cultivar of Japanese plum, a traditional New Year color in Heian-period kasane no irome layered silks. Kohbai color refers to a fully bloomed kohbai plum branch in February: a saturated, slightly cool deep magenta with the velvet finish of fresh plum-blossom petals against bare branches in early-spring snow.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ed2ba6
Original
#4e6da9
Protanopia
#888ea2
Deuteranopia
#fe1d67
Tritanopia
#5d5d5d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.82:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.50:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##ED2BA6
Display P3
Display P3
color(display-p3 0.8547 0.2515 0.6370)
P3 has visible headroomOKLCH chroma 0.246

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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