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Sinewy Lurk Cardinal

#ec409c
Notes

Sinewy Lurk Cardinal (#EC409C) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (328°, 82%, 59%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ec409c
RGB
rgb(236, 64, 156)
HSL
hsl(328, 82%, 59%)
HWB
hwb(328 25% 7%)
OKLCH
oklch(65.0% 0.222 352.5)
P3
color(display-p3 0.8538 0.3083 0.6019)
HSV
hsv(328, 73%, 93%)
LAB
lab(55.99% 71.82 -11.33)
LCH
lch(55.99% 72.70 351.04)
CMYK
cmyk(0%, 73%, 34%, 7%)

Etymology

Sinewy
adjective

Old English sinu, sinew — adjectival suffix -y. As a color modifier, sinewy implies a saturated-and-muscular-and-firm quality where the hue carries the lean-and-strong visual presence of a Roman-statue athletic figure. Sits at the bold-and-firm end of the grid, parallel to stalwart and rugged in usage.

Lurk
modifier

Middle English lurken, to-lie-hidden. As a color modifier, lurk implies a hidden-and-watching-and-shadowed quality, the visual register of forest-edge-and-alley-mouth-lurk hand-hidden-and-watching-and-shadowed forest-edge-and-alley-mouth-and-bridge-undercroft lurked-and-hidden-and-watching-and-shadowed surfaces under forest-edge-and-alley-mouth-and-bridge-undercroft Gothic-novel-and-fairy-tale-and-noir half-light. Sits at the modifier-and-mood end of the grid, parallel to creep and prowl in usage.

Cardinal
noun

Named for the scarlet robes of Roman Catholic cardinals, dyed since the thirteenth century with kermes and later cochineal. The color carries the institutional weight of its source — a saturated red-orange that reads as authority rather than romance. Also the bird (Cardinalis cardinalis) of the American east, whose plumage takes its red from carotenoid pigments in the seeds it eats.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ec409c
Original
#5f729e
Protanopia
#8f9198
Deuteranopia
#fe3169
Tritanopia
#6b6b6b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.63:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##EC409C
Display P3
Display P3
color(display-p3 0.8538 0.3083 0.6019)
P3 has visible headroomOKLCH chroma 0.222

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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