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Tough Buffed Crimson

#e92a49
Notes

Tough Buffed Crimson (#E92A49) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (350°, 81%, 54%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e92a49
RGB
rgb(233, 42, 73)
HSL
hsl(350, 81%, 54%)
HWB
hwb(350 16% 9%)
OKLCH
oklch(60.7% 0.222 19.3)
P3
color(display-p3 0.8402 0.2464 0.3060)
HSV
hsv(350, 82%, 91%)
LAB
lab(51.23% 70.77 31.51)
LCH
lch(51.23% 77.47 24.00)
CMYK
cmyk(0%, 82%, 69%, 9%)

Etymology

Tough
adjective

Old English tōh, firm / tenacious — sharing root with German zäh. As a color modifier, tough implies a saturated-and-resilient quality where the hue resists fading-and-modulation through its strong pigmentation. Sits at the bold-and-resilient end of the grid, parallel to rugged and hardy in usage.

Buffed
modifier

Old French buffer, to-puff. As a color modifier, buffed implies a polished-and-shined quality, the visual register of Sheffield-and-Renaissance-buffed-and-polished hand-buffed-and-polished metal-and-leather-and-wood Sheffield-and-Renaissance-buffed-and-polished surfaces under Sheffield-and-Renaissance hand-buffed-and-polished workshop-light. Sits at the modifier-and-texture end of the grid, parallel to honed and gloss in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e92a49
Original
#676049
Protanopia
#968843
Deuteranopia
#ff0038
Tritanopia
#555555
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.29:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.89:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E92A49
Display P3
Display P3
color(display-p3 0.8402 0.2464 0.3060)
P3 has visible headroomOKLCH chroma 0.222

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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