Bastioned Sigh Crimson

Italian bastionato, fortified-with-bastions — past-participle of bastion, derived from bastia (fortified-tower). As a color modifier, bastioned implies a saturated-and-fortified-and-projecting quality, the deep-rich color of Vauban-period military-fortress star-fort projecting-bastion stone-architecture. Sits at the bold-and-fortified end of the grid, parallel to fortified and buttressed.

Middle English sighen, to-breathe-out-audibly. As a color modifier, sigh implies a breathed-out-and-released-and-wistful quality, the visual register of Romantic-poet-and-pining-lover-sigh hand-breathed-out-and-released-and-pining Romantic-poet-and-pining-lover-and-bedside-vigil sighed-and-released-and-breathed-out surfaces under Romantic-poet-and-pining-lover candle-lit-and-bedside-vigil window-and-balcony-light. Sits at the modifier-and-mood end of the grid, parallel to yearn and brood in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.