colors
Back to gallery

Symmetrical Ave Topaz

#e8af5d
Notes

Symmetrical Ave Topaz (#E8AF5D) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (35°, 75%, 64%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e8af5d
RGB
rgb(232, 175, 93)
HSL
hsl(35, 75%, 64%)
HWB
hwb(35 36% 9%)
OKLCH
oklch(79.1% 0.120 74.5)
P3
color(display-p3 0.8755 0.6952 0.4162)
HSV
hsv(35, 60%, 91%)
LAB
lab(75.21% 12.06 49.41)
LCH
lch(75.21% 50.86 76.28)
CMYK
cmyk(0%, 25%, 60%, 9%)

Etymology

Symmetrical
adjective

Greek symmetría, due-proportion — adjectival suffix -al, derived from sym-metron (with-measure). As a color modifier, symmetrical implies a clear-and-balanced-and-mirrored quality where the hue carries the visual register of bilateral-or-radial proportional symmetry. Sits at the crisp-and-balanced end of the grid, parallel to balanced and aligned in usage.

Ave
modifier

Latin ave, hail-or-greeting. As a color modifier, ave implies a Latin-greeting-and-Ave-Maria-and-Ave-Caesar quality, the visual register of Ave-Maria-and-Ave-Caesar-greeting hand-Latin-greeting-and-Ave-Maria-and-Ave-Caesar Ave-Maria-and-Ave-Caesar-greeting-and-Catholic-prayer-and-Roman-salute ave-and-Latin-greeting surfaces under Ave-Maria-and-Ave-Caesar-greeting-and-Catholic-prayer-and-Roman-salute Roman-arena-and-Catholic-liturgy hailing-greeting-light. Sits at the modifier-and-Latin end of the grid, parallel to salve and pax in usage.

Topaz
noun

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e8af5d
Original
#c4b155
Protanopia
#d1bf5f
Deuteranopia
#fba09c
Tritanopia
#b5b5b5
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.96:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
10.72:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E8AF5D
Display P3
Display P3
color(display-p3 0.8755 0.6952 0.4162)
P3 has subtle headroomOKLCH chroma 0.120

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas