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Smoldering Axis Crimson

#e82782
Notes

Smoldering Axis Crimson (#E82782) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (332°, 81%, 53%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e82782
RGB
rgb(232, 39, 130)
HSL
hsl(332, 81%, 53%)
HWB
hwb(332 15% 9%)
OKLCH
oklch(61.7% 0.231 359.1)
P3
color(display-p3 0.8364 0.2385 0.5048)
HSV
hsv(332, 83%, 91%)
LAB
lab(52.09% 74.97 -1.74)
LCH
lch(52.09% 74.99 358.67)
CMYK
cmyk(0%, 83%, 44%, 9%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Axis
modifier

Latin axis, axle-or-pivot. As a color modifier, axis implies a rotational-pole-and-polar-spin quality, the visual register of Earth-axial-tilt-and-Polaris-axis hand-rotational-pole-and-polar-spin Earth-axial-tilt-and-Polaris-and-celestial-pole axis-and-rotational-pole-and-polar-spin surfaces under Earth-axial-tilt-and-Polaris-and-celestial-pole 23.5-degree-and-precession-and-celestial-mechanics polar-pivot-light. Sits at the modifier-and-cosmic end of the grid, parallel to orbit and zenith in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e82782
Original
#586584
Protanopia
#8c897e
Deuteranopia
#fc0053
Tritanopia
#575757
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.16:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.04:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E82782
Display P3
Display P3
color(display-p3 0.8364 0.2385 0.5048)
P3 has visible headroomOKLCH chroma 0.231

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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