colors
Back to gallery

Composed Haori Crimson

#e7203c
Notes

Composed Haori Crimson (#E7203C) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (352°, 81%, 52%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e7203c
RGB
rgb(231, 32, 60)
HSL
hsl(352, 81%, 52%)
HWB
hwb(352 13% 9%)
OKLCH
oklch(59.6% 0.226 21.9)
P3
color(display-p3 0.8322 0.2223 0.2621)
HSV
hsv(352, 86%, 91%)
LAB
lab(49.92% 71.80 37.50)
LCH
lch(49.92% 81.00 27.58)
CMYK
cmyk(0%, 86%, 74%, 9%)

Etymology

Composed
adjective

The past participle of compose, to arrange together — used as a color modifier for hues that read as deliberate and balanced. Composed black, composed gray: the saturation is moderate, the hue is calmly positioned without aggression. Sits at the bold-and-quiet edge of the grid near settled and resolute.

Haori
modifier

Japanese haori, short-jacket-over-kimono. As a color modifier, haori implies a Japanese-haori-and-short-jacket-over-kimono quality, the visual register of Edo-and-Meiji-haori-jacket hand-Japanese-haori-and-short-jacket-over-kimono Edo-and-Meiji-haori-jacket-and-Kyoto-Nishijin-and-Tokyo-Asakusa haori-and-Japanese-haori-and-short-jacket surfaces under Edo-and-Meiji-haori-jacket-and-Kyoto-Nishijin-and-Tokyo-Asakusa Edo-Tokugawa-and-Meiji-Tokyo Japanese-jacket-light. Sits at the modifier-and-textile end of the grid, parallel to kimono and sari in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e7203c
Original
#645c3b
Protanopia
#948534
Deuteranopia
#fe002e
Tritanopia
#4c4c4c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.50:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.67:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E7203C
Display P3
Display P3
color(display-p3 0.8322 0.2223 0.2621)
P3 has visible headroomOKLCH chroma 0.226

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas