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Poised Scud Crimson

#e6398c
Notes

Poised Scud Crimson (#E6398C) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (331°, 78%, 56%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e6398c
RGB
rgb(230, 57, 140)
HSL
hsl(331, 78%, 56%)
HWB
hwb(331 22% 10%)
OKLCH
oklch(62.9% 0.218 356.5)
P3
color(display-p3 0.8312 0.2846 0.5423)
HSV
hsv(331, 75%, 90%)
LAB
lab(53.65% 70.79 -5.47)
LCH
lch(53.65% 71.00 355.58)
CMYK
cmyk(0%, 75%, 39%, 10%)

Etymology

Poised
adjective

Old French peser, to weigh — past-participle of poise. As a color modifier, poised implies a saturated-and-balanced-and-confident quality where the hue holds its position with elegant equilibrium. Sits at the bold-and-confident end of the grid, parallel to centered and composed.

Scud
modifier

Origin obscure, low-fast-driven-cloud. As a color modifier, scud implies a low-fast-driven-cloud-and-storm-front quality, the visual register of North-Sea-and-Cornish-coast-scud hand-low-fast-driven-cloud-and-storm-front North-Sea-and-Cornish-coast-scud-and-Atlantic-front-cloud scud-and-low-fast-driven-cloud surfaces under North-Sea-and-Cornish-coast-scud-and-Atlantic-front-cloud Lizard-Point-and-Outer-Hebrides storm-front-cloud-light. Sits at the modifier-and-weather end of the grid, parallel to gust and mistral in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e6398c
Original
#5d6c8e
Protanopia
#8d8c88
Deuteranopia
#f9205e
Tritanopia
#646464
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.94:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.33:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E6398C
Display P3
Display P3
color(display-p3 0.8312 0.2846 0.5423)
P3 has visible headroomOKLCH chroma 0.218

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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