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Victorious Meteor Crimson

#e60f1b
Notes

Victorious Meteor Crimson (#E60F1B) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (357°, 88%, 48%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e60f1b
RGB
rgb(230, 15, 27)
HSL
hsl(357, 88%, 48%)
HWB
hwb(357 6% 10%)
OKLCH
oklch(58.5% 0.234 27.4)
P3
color(display-p3 0.8276 0.1927 0.1674)
HSV
hsv(357, 93%, 90%)
LAB
lab(48.57% 73.11 53.53)
LCH
lch(48.57% 90.61 36.21)
CMYK
cmyk(0%, 93%, 88%, 10%)

Etymology

Victorious
adjective

Latin victōriōsus, of victory — derived from victor (winner). As a color modifier, victorious implies a saturated-and-celebratory-and-conquering quality, the deep-rich color of Roman-Imperial victory-procession purpura-dyed paludamentum cloak. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and conquering.

Meteor
modifier

Greek μετέωρος, suspended-in-air. As a color modifier, meteor implies a streaking-and-burning-and-shooting-star quality, the visual register of Perseids-and-Leonids-meteor hand-streaking-and-burning-and-shooting-star Perseids-and-Leonids-and-Geminids-meteor meteor-and-streaking-and-burning-and-shooting-star surfaces under Perseids-and-Leonids-and-Geminids-meteor August-and-November-and-December-night-sky shooting-star-light. Sits at the modifier-and-cosmic end of the grid, parallel to comet and nova in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e60f1b
Original
#625716
Protanopia
#938305
Deuteranopia
#fe001a
Tritanopia
#3e3e3e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.72:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.45:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E60F1B
Display P3
Display P3
color(display-p3 0.8276 0.1927 0.1674)
P3 has visible headroomOKLCH chroma 0.234

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas