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Strobing Madder

#e55e46
Notes

Strobing Madder (#E55E46) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (9°, 75%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e55e46
RGB
rgb(229, 94, 70)
HSL
hsl(9, 75%, 59%)
HWB
hwb(9 27% 10%)
OKLCH
oklch(65.0% 0.173 32.1)
P3
color(display-p3 0.8347 0.4019 0.3080)
HSV
hsv(9, 69%, 90%)
LAB
lab(57.18% 51.03 40.14)
LCH
lch(57.18% 64.92 38.19)
CMYK
cmyk(0%, 59%, 69%, 10%)

Etymology

Strobing
adjective

Greek stróbos, whirling — present-participle of strobe. As a color modifier, strobing implies a saturated-and-pulse-flashing quality, the bright color of concert-strobe-light and photographic-strobe high-frequency-pulse light emission. Sits at the bright-and-flashing end of the grid, parallel to flashing and pulsating in usage.

Madder
noun

Rubia tinctorum, the dyer's madder — the root pigment that fed European red textile production from antiquity until synthetic alizarin replaced it in 1869. Less brilliant than kermes, more lightfast than safflower, madder-dyed wool was the workhorse red of Persian carpets, British redcoats, and Turkish kilim. The color carries that history: a warm, slightly orange red with the matte finish of cloth rather than glaze.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e55e46
Original
#827743
Protanopia
#a49442
Deuteranopia
#fb4059
Tritanopia
#797979
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.49:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.02:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E55E46
Display P3
Display P3
color(display-p3 0.8347 0.4019 0.3080)
P3 has subtle headroomOKLCH chroma 0.173

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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