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Lurid Méihóng

#e54fb4
Notes

Lurid Méihóng (#E54FB4) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (320°, 74%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e54fb4
RGB
rgb(229, 79, 180)
HSL
hsl(320, 74%, 60%)
HWB
hwb(320 31% 10%)
OKLCH
oklch(66.2% 0.212 343.2)
P3
color(display-p3 0.8313 0.3519 0.6905)
HSV
hsv(320, 66%, 90%)
LAB
lab(57.61% 67.60 -22.97)
LCH
lch(57.61% 71.40 341.24)
CMYK
cmyk(0%, 66%, 21%, 10%)

Etymology

Lurid
adjective

Latin lūridus, pale-yellow / sickly — sharing root with lūror (yellowish-pallor). As a color modifier, lurid implies a saturated-and-shocking-and-sickly-bright quality, the bright color of Penny-Dreadful-and-Pulp-Fiction sensational-cover-art bright-and-pulpy printing. Sits at the bright-and-shocking end of the grid, parallel to garish and gaudy in usage.

Méihóng
noun

Chinese 梅红, plum-red — the deep-pink cultivar color of Chinese flowering plum (Prunus mume), prized in Song-dynasty literati painting and ceramics. Méihóng color refers to a fully bloomed méihóng plum-blossom branch on a Song-dynasty meiping vase: a saturated, slightly cool deep magenta with the velvet finish of fresh plum-petal painted in mineral pigment over white-glazed porcelain.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e54fb4
Original
#5c7bb7
Protanopia
#8993b0
Deuteranopia
#f34f7b
Tritanopia
#767676
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.44:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.11:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E54FB4
Display P3
Display P3
color(display-p3 0.8313 0.3519 0.6905)
P3 has visible headroomOKLCH chroma 0.212

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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