Frantic Magenta
Frantic Magenta (#E544B0) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (320°, 76%, 58%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek phrenitikós, frenzied — adjectival suffix, sharing root with phrenitis (delirium). As a color modifier, frantic implies a saturated-and-rushed-and-overactive quality, the bright color of Memphis-Group 1980s-design over-the-top saturated visual-rhythm. Sits at the bright-and-active end of the grid, parallel to frenetic and manic in usage.
A synthetic aniline dye (fuchsine) introduced in 1859 and renamed in 1860 to commemorate the Franco-Sardinian victory over Austria at the Battle of Magenta in northern Italy. The dye produced the first vivid pink-purple textile color cheaply available to mass markets. The color refers to a freshly magenta-dyed silk: a saturated, slightly cool deep pink-purple with the satiny finish of synthetic-dyed natural fiber. Cooler than fuchsia, warmer than violet.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.