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Neon Grace Goldenrod

#e4a31d
Notes

Neon Grace Goldenrod (#E4A31D) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (40°, 79%, 50%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e4a31d
RGB
rgb(228, 163, 29)
HSL
hsl(40, 79%, 50%)
HWB
hwb(40 11% 11%)
OKLCH
oklch(75.9% 0.152 78.6)
P3
color(display-p3 0.8560 0.6498 0.2502)
HSV
hsv(40, 87%, 89%)
LAB
lab(71.41% 13.86 70.45)
LCH
lch(71.41% 71.80 78.87)
CMYK
cmyk(0%, 29%, 87%, 11%)

Etymology

Neon
adjective

Greek néon, new — element-name (atomic-number 10), discovered by William Ramsay in 1898. As a color modifier, neon implies a saturated-and-electric-glow quality, the bright color of Las-Vegas-and-Times-Square neon-marquee gas-discharge-tube emission. Sits at the bright-and-electric end of the grid, parallel to electric and fluorescent in usage.

Grace
modifier

Latin gratia, favor-or-thankfulness. As a color modifier, grace implies a flowing-and-elegant-and-blessed quality, the visual register of Botticelli-Three-Graces-and-Apollonian-grace hand-flowing-and-elegant-and-blessed Botticelli-Three-Graces-and-Apollonian-and-Renaissance-classical graced-and-flowing-and-elegant-and-blessed surfaces under Botticelli-Three-Graces-and-Apollonian-and-Renaissance-classical chiton-and-laurel-wreath-and-fountain Florentine-pavilion-light. Sits at the modifier-and-mood end of the grid, parallel to charm and bliss in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e4a31d
Original
#bca500
Protanopia
#cbb525
Deuteranopia
#f9918c
Tritanopia
#a7a7a7
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.20:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.56:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E4A31D
Display P3
Display P3
color(display-p3 0.8560 0.6498 0.2502)
P3 has subtle headroomOKLCH chroma 0.152

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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