colors
Back to gallery

Striking Pisces Goldenrod

#e3da51
Notes

Striking Pisces Goldenrod (#E3DA51) is a true yellow with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (56°, 72%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e3da51
RGB
rgb(227, 218, 81)
HSL
hsl(56, 72%, 60%)
HWB
hwb(56 32% 11%)
OKLCH
oklch(87.1% 0.155 105.6)
P3
color(display-p3 0.8841 0.8561 0.4084)
HSV
hsv(56, 64%, 89%)
LAB
lab(85.54% -12.99 65.99)
LCH
lch(85.54% 67.26 101.14)
CMYK
cmyk(0%, 4%, 64%, 11%)

Etymology

Striking
adjective

The progressive participle of strike, to hit. Used as a color word since the seventeenth century for hues that command immediate attention. Striking red, striking blue: the implication is saturation combined with visual impact. Sits at the bright-bucket center alongside bold and punchy.

Pisces
modifier

Latin pisces, fishes-of-the-zodiac. As a color modifier, pisces implies a two-fishes-and-water-sign-and-Jupiter-Neptune-ruled-mutable-water quality, the visual register of Hellenic-Pisces-and-Aphrodite-Eros-fishes hand-two-fishes-and-water-sign-and-Jupiter-Neptune-ruled-mutable-water Hellenic-Pisces-and-Aphrodite-Eros-fishes-and-Ichthys pisces-and-two-fishes-and-water-sign surfaces under Hellenic-Pisces-and-Aphrodite-Eros-fishes-and-Ichthys late-winter-and-February-and-March-into-April mutable-water-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to aquarius and aries in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e3da51
Original
#ecd23f
Protanopia
#efd959
Deuteranopia
#f3ccbe
Tritanopia
#d2d2d2
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.41:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E3DA51
Display P3
Display P3
color(display-p3 0.8841 0.8561 0.4084)
P3 has subtle headroomOKLCH chroma 0.155

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas