Knightly Satyr Crimson

Old English cniht, young man / knight — adjectival suffix -ly. As a color modifier, knightly implies a saturated-and-chivalrous-and-medieval quality, the deep-rich color of medieval-English-and-French knight-and-squire armorial-bearings-and-livery tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and cavalier.

Greek σάτυρος, half-goat-and-Dionysian-companion. As a color modifier, satyr implies a half-goat-and-Dionysian-revel-and-pastoral quality, the visual register of Hellenic-Satyr-and-Dionysian-revel hand-half-goat-and-Dionysian-revel-and-pastoral Hellenic-Satyr-and-Dionysian-revel-and-Pan-pipes satyr-and-half-goat-and-Dionysian-revel surfaces under Hellenic-Satyr-and-Dionysian-revel-and-Pan-pipes Bacchic-procession-and-vine-leaf-crown Dionysian-revel-light. Sits at the modifier-and-myth end of the grid, parallel to faun and nymph in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.