Jazzed Blink Goldenrod
Jazzed Blink Goldenrod (#E2E20B) is a true yellow with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (60°, 91%, 46%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
American slang jazz, liveliness — past-participle of jazz. As a color modifier, jazzed implies a saturated-and-excited-and-active quality, the bright color of American-Jazz-Age poster-and-album-cover saturated-and-rhythmic graphic-design. Sits at the bright-and-active end of the grid, parallel to caffeinated and wired in usage.
Middle Dutch blinken, to-shine-or-twinkle. As a color modifier, blink implies a quick-and-twinkling-and-on-off quality, the visual register of lighthouse-beam-and-firefly-blink hand-quick-and-twinkling-and-on-off lighthouse-beam-and-firefly-and-Morse-lamp blinked-and-quick-and-twinkling surfaces under lighthouse-beam-and-firefly-and-Morse-lamp coastal-headland-and-summer-meadow rotating-and-pulsed-light. Sits at the modifier-and-mood end of the grid, parallel to wink and glint in usage.
Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.